by Rebecca Ashdown ; illustrated by Rebecca Ashdown ‧ RELEASE DATE: May 9, 2017
It’s not easy to make the moral case for always telling the truth without sounding preachy, but this monster book does it by...
A personified lie that grows bigger with each fib anchors the story of an ugly sweater, some bad decisions, and the restorative power of fessing up.
Percy isn’t too thrilled with his new handmade sweater from Grandma, done in a garish set of colors that make him frown mightily. The moment Percy and his brother, both white boys, get outside to walk the dog, the sweater ends up on the pooch and is destroyed. When Percy comes home, he lies and says he lost the sweater. When Percy goes to his room, his lie has become a little blue creature. “You told a big, hairy, monstrous lie,” it tells him. “It was a whopper. I am your Whopper!” Predictably, the Whopper grows and begins to dominate Percy’s life as the lies continue. Somewhat less predictably, the Whopper gobbles up Percy and takes his place. It’s only when, from inside the Whopper, Percy confesses the truth that the Whopper fades away. Ashdown’s deceptively simple drawings on closer look reveal lovely detail around the edges. She has a knack for drawing adorable pets readers might like to adopt right off the page. The Whopper itself, though less lovable, makes a big impression while not overstaying his disruptive turn in the story.
It’s not easy to make the moral case for always telling the truth without sounding preachy, but this monster book does it by simply sticking to the story and keeping it fun. (Picture book. 3-7)Pub Date: May 9, 2017
ISBN: 978-0-7636-9291-9
Page Count: 40
Publisher: Templar/Candlewick
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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