illustrated by Rebecca Dautremer & developed by Chocolapps ‧ RELEASE DATE: Sept. 14, 2011
Readers will become immersed in this spectacular world, just as they might with a high-quality animated movie.
A gorgeous picture-book app adapted from a French animated film.
When beloved Aunt Eleanor dies, she leaves a mysterious old house to a young couple, a seemingly worthless Russian doll to their daughter and a library of books to their young son, Nathaniel. A struggling reader, Nathaniel is underwhelmed by his gift until he discovers that the books' characters have come to life, albeit in miniature. But a storm destroys part of the roof of the old house, and the books must be sold off to an antique dealer to help pay for repairs. When Nathaniel fails to read a secret inscription on the library wall, a wicked fairy shrinks him down to the size of the storybook characters, and he is taken along with all the books to the warehouse. Nathaniel must get back to the house and properly read the inscription or the storybook characters will fade into nothingness. There are more plot elements than can comfortably fit into a short app, particularly near the end, where the story gets a bit muddled, but the high production values more than make up for this. The stunning animation makes full use of varying perspectives, rich colors and patterns and is paired with an eerie and evocative soundtrack. There is a French-language option, as well as a pop-up screen with options that illustrate or define some words, identify vowels and switch from typeset letters to cursive. One minor quibble is that there is no easy way for readers to turn off the narration and read the book on their own.
Readers will become immersed in this spectacular world, just as they might with a high-quality animated movie. (iPad storybook app. 4-8)Pub Date: Sept. 14, 2011
ISBN: N/A
Page Count: -
Publisher: Chocolapps
Review Posted Online: Oct. 30, 2011
Kirkus Reviews Issue: Nov. 15, 2011
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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