The Emberleys offer such a joyful, imaginative interpretation of the classic that even the youngest will understand the...
In this playful riff on Aesop’s fable, an ant’s load is made light when her spirit is lifted by the grasshopper’s music.
The ant, burdened with a sticky piece of watermelon and weighed down by the thought that her family is depending on her for food, is so tired she can barely take another step. Then she hears MUSIC (emphasized in boldface capital letters) made by the grasshopper and his band. In fact, those first notes leave her positively bug-eyed. Instead of chastising them for playing, the ant is moved by the tune. Gallantly, the band takes to the road in order to march her back to her colony. In an additional, delicious twist highlighting their symbiotic relationship, the ant invites them into her home, where they party—a celebration highlighted in a foldout spread that works both front and back. The text has a distinctly jazzy drawl that begs to be read aloud. The collage art is bursting with pleasingly chaotic, Mardi Gras colors, especially the two spreads depicting ant’s first views of the buggy band. The pacing is masterful, and the inclusion of the foldout page provides a wonderful place to pause and, as the text exhorts, “[l]et the good times roll!”
The Emberleys offer such a joyful, imaginative interpretation of the classic that even the youngest will understand the unstated message to “eat, drink and be merry.” (Picture book. 4-8)Pub Date: Oct. 16, 2012
ISBN: 978-1-59643-493-6
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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