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ALONE LIKE ME

A hopeful, universal story about the power of friendship to dramatically improve the quality of everyday life.

A picture book set in China shows that loneliness can be overcome.

Liling, a young Chinese girl, and her parents have moved from the country to a busy city. Her mother and father work in a sewing factory and a can-making factory respectively. Without friends or school, Liling is lonely. The artwork’s grayscale palette reflects that bleak reality. Even the marketplace, with its “tables of rainbow fabrics,” is painted in muted blues and grays. The only bright spots in the illustrations are Liling’s red coat and, eventually, the bright yellow coat of Qiqi, a smiling girl whom Liling must devise ingenious methods to befriend since they live in different buildings. The motif of a Chinese dragon, a metaphor for courage, weaves in and out of the artwork and text. The hand-drawn pictures and handwritten notes that the two girls send each other are sparks of joy in Liling’s otherwise dull life. The Chinese hukou system that traps Liling and her family in poverty is explained in a brief glossary and in the pronunciation guide at the beginning of the book, but it is not the focus of the story. An author’s note and a five-item resource list at the back provide details for parents and teachers seeking more information. Inspired by her visit to Shanghai to adopt a child, Evans’ pencil and watercolor paintings of Chinese characters and scenes avoid insensitive stereotypes and respect Chinese culture. (This book was reviewed digitally.)

A hopeful, universal story about the power of friendship to dramatically improve the quality of everyday life. (Picture book. 3-7)

Pub Date: May 3, 2022

ISBN: 978-0-593-18192-8

Page Count: 40

Publisher: Anne Schwartz/Random

Review Posted Online: Jan. 24, 2022

Kirkus Reviews Issue: Feb. 15, 2022

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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