The importance of giving positive attention to the child who may be feeling overshadowed by a new baby cannot be...
A preschool-age child adjusts to life with a new baby in this emotionally satisfying board book.
Cooing comments about the new baby on the left-hand page are paired with somewhat disparaging observations from an older child in italics on the right. The older child matter-of-factly points to actual skills and accomplishments. So what if the baby has soft skin? The older sibling can count to nine! Dotlich’s poem was originally published in Climb into My Lap: First Poems to Read Together, edited by Lee Bennett Hopkins and illustrated by Kathryn Brown (1998). It’s just the right length for a board book, but the storyline is more suitable for a picture-book reader. The older sibling is beyond board-book age, as indicated by the line, “Yesterday I lost two teeth.” Young children will also miss the visual humor in Reagan’s realistic watercolors. When the child proudly asserts, “I can tie all by myself,” those shoes are on the wrong feet. A family read-aloud with both the older sibling and new baby is an ideal setting for this story. The illustrations capture the mood of the poem but may throw readers when they notice that the woman reading with the protagonist in the final picture does not look like the grandmother portrayed five pages earlier. Maybe it’s mom?
The importance of giving positive attention to the child who may be feeling overshadowed by a new baby cannot be overstressed, and it’s nice to have the reminder delivered in such a lovely, sensitive package and featuring a loving, brown-skinned family. (Board book. 6 mos.-5)Pub Date: Aug. 21, 2018
ISBN: 978-1-56846-321-6
Page Count: 14
Publisher: Creative Editions/Creative Company
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
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