by Rebecca Stefoff ‧ RELEASE DATE: April 15, 1994
In a lucid account of Melville's ``sad, although not quite tragic'' life, the author of many fine biographies explores his sources of inspiration and analyzes his major themes, his sophisticated use of symbolism and other literary devices, and why his books eluded wide readership until the 20th century. Though Stefoff never loses sight of him as a person (``Melville was tormented at times by spiritual and intellectual questions, but the only thing that haunted him for most of his life was the need to earn money, and he welcomed respectability''), her focus on his work makes this most valuable as a brief critical appraisal for his many confused or intimidated readers and a bonanza for term-paper writers. A sturdy companion or replacement for Hillway's Herman Melville (1979). Illustrated with period reproductions; bibliography; index. (Biography. YA)
Pub Date: April 15, 1994
ISBN: 0-671-86771-7
Page Count: 156
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1994
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More by Rebecca Stefoff
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Naomi Klein ; adapted by Rebecca Stefoff
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by Bruce Watson ; adapted by Rebecca Stefoff
by Maja Pitamic ‧ RELEASE DATE: July 1, 2010
Pitamic bites off more than she can chew with this instructional art volume, but its core projects will excite in the right context. Twelve pieces of fine art inspire two art projects apiece. Matisse’s The Snail opens the Color section; after history and analysis, there’s one project arranging multicolored tissue-paper squares and one project adding hue to white paint to create stripes of value gradation. These creative endeavors exploring value, shade, texture and various media will exhilarate young artists—but only with at best semi-successful results, as they require an adult dedicated to both advance material procurement and doing the artwork along with the child. Otherwise, complex instructions plus a frequent requirement to draw or trace realistically will cause frustration. Much of the text is above children’s heads, errors of terminology and reproduction detract and the links between the famous pieces and the projects are imprecise. However, an involved adult and an enterprising child aged seven to ten will find many of the projects fabulously challenging and rewarding. Art In Action 2 (ISBN: 978-0-7641-441-7) publishes simultaneously. (artist biographies, glossary, location of originals) (Nonfiction. Adults)
Pub Date: July 1, 2010
ISBN: 978-0-7641-4440-0
Page Count: 96
Publisher: Barron's
Review Posted Online: May 23, 2010
Kirkus Reviews Issue: June 15, 2010
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by Don Lawson ‧ RELEASE DATE: April 1, 1991
American citizens have been held hostage in the Middle East at least since 1979, when our embassy in Teheran was seized by a mob; Lawson's history of the US government's response in the 80's makes a sad tale of hypocrisy, incompetence, and corruption. He shows how, after the hostage crisis cost Carter his political career, Reagan allowed a series of profitable arms-for-hostages deals to go through—while publicly condemning the idea—to finance his ``pet anti-communist project.'' The ensuing revelations, investigations, and trials are covered here in some detail. In an epilogue, Lawson notes that a new group of hostages were taken when Iraqi forces invaded Kuwait in 1990. A thematic introduction by Arthur L. Liman, an attorney involved in the Senate Iran-contra investigation, sums it up: Reagan's advisors, acting from ``disrespect, bordering on contempt'' for the Constitution, established a ``secret government within the Government'' for specifically illegal purposes. B&w photos; adequate bibliography; long chronology; excellent notes; chart listing hostages taken in the 80's; index. (Nonfiction. YA)
Pub Date: April 1, 1991
ISBN: 0-531-11009-5
Page Count: 128
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1991
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