Warm, poetic, and affirming.
Taussig assures disabled readers that they’re a vital part of “a world that wasn’t built with us in mind.”
As racially diverse children and adults with myriad physical, sensory, and cognitive disabilities play, learn, and love, the author lyrically celebrates their resilience and resourcefulness: “We live, we adapt, we defy.” Disabled people are not burdens, but burdened by a world “starved for creativity and flexibility.” Importantly, Taussig acknowledges that navigating such a world can be “exhausting” and encourages readers to rest. Though many youngsters may feel alone, the author explains, “There were revolutionaries thinking of you before you were born,” including advocates Judy Heumann, Haben Girma, and Alice Wong. Taussig promises, “You will always be worth fighting for.” She also highlights readers’ power to enrich, and even change, the world. With unique ways of moving and being, “We hold the clues for a thousand new games.” While readers may feel out of place at times, Taussig reassures them, “Darling, we are the very blueprints of Home”—a reference to accessible design. But above all, “We are always enough, just as we are.” In Fagan’s luminous, star-spangled scenes, people using wheelchairs, white canes, communication devices, and more radiate joy and community, countering assumptions about disabled people (such as “loss leaves no space for laughter”) and reminding readers that they’re “as dazzling as a sky full of stars.” Backmatter includes further information on the advocates mentioned and invites readers to research others, such as Ed Roberts.
Warm, poetic, and affirming. (author’s and illustrator’s notes) (Picture book. 4-10)Pub Date: April 1, 2025
ISBN: 9781728487700
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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