by Ree Drummond ‧ RELEASE DATE: Feb. 1, 2011
A sometimes enjoyable love story hampered by treacly prose and syrupy sentiment.
Bestselling cookbook author Drummond (The Pioneer Woman Cooks: Recipes from an Accidental Country Girl, 2009) tells the tale of falling in love with an Oklahoma cowboy.
When she was in her mid-20s, the author left California, and a four-year relationship, seeking a new life in Chicago, with a quick stop on the way at her childhood home in Oklahoma. There her plans changed considerably, as she met a drop-dead gorgeous, steely cowboy who became known as Marlboro Man. She fell hard, enamored with his smoky voice, blue eyes and disarming chuckle, which “could quiet stormy waters. Bring about world peace.” Marlboro Man also turned out to be an admirable guy—grounded, hardworking, chivalrous, honest and open. Drummond, too, is a sweet character, who has written this love song from what feel like fleshed-out blog notes: fresh, intimate, minute and unselfconscious. The author’s gushing prose often becomes cloying and soporific—“I was in a black hole, a vortex of romance…I was floating on vapors. One kiss, and I was transported”—but she tempers it with cringingly hilarious descriptions of her sweat-drenched panic episodes when she first met his family and again at her wedding, and she writes artfully of the tall grass prairie and other natural wonders on the plains. The gloom cast by her parents’ marital breakup could have served as a counterpoint to her bliss, but Drummond lets it slip away by never fully exploring their circumstances.
A sometimes enjoyable love story hampered by treacly prose and syrupy sentiment.Pub Date: Feb. 1, 2011
ISBN: 978-0-06-199716-7
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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