Readers not put off by the taste of sour grapes will find much of interest here, from the unique mind of one of baseball’s...
With the assistance of Baker (The Big Crowd, 2013, etc.), legendary slugger Jackson (Reggie: The Autobiography, 1984, etc.) attempts to set the record straight about the tumultuous World Series–winning New York Yankees of 1977 and 1978.
When he signed with the Yankees in 1976, Jackson was already a star, having won two championships with the Oakland A’s and a league MVP award in 1973. He also had a reputation for speaking his mind in a way that did not always endear him to teammates and fans. None of this, however, prepared him for the cauldron that was the Yankees, run by manager Billy Martin and owner George Steinbrenner. Much has been written about this team, and Jackson announces early on that this book was born out of his outrage at how he was portrayed in the 2007 miniseries The Bronx Is Burning; indeed, the tone is often aggrieved as the author recounts the many injustices he faced along the way. There’s no denying he has a point: He was often treated unfairly by the press and his teammates and certainly by Martin, a volatile personality at the best of times, who never got over his resentment that Jackson was brought onto the team against his wishes. But whatever was behind the struggles—racism, resentment over his comments to the press, his superstar salary or other factors—Jackson does himself no favors by repetitively rehashing these old wounds, though he does at least acknowledge partial responsibility for some of them. Resentment aside, the author remains a fascinating character who offers plenty of insight into the game as it was played then and now. No baseball fan can deny the greatness of Jackson’s magical three consecutive first-pitch home runs in Game 6 of the 1977 World Series, and many will enjoy reliving the moment through his eyes.
Readers not put off by the taste of sour grapes will find much of interest here, from the unique mind of one of baseball’s most enigmatic stars and greatest clutch performers.Pub Date: Oct. 8, 2013
ISBN: 978-0-385-53311-9
Page Count: 304
Publisher: Doubleday
Review Posted Online: Nov. 17, 2013
Kirkus Reviews Issue: Dec. 1, 2013
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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