by Regis Bethencourt & Kahran Bethencourt ; photographed by Regis Bethencourt & Kahran Bethencourt ‧ RELEASE DATE: Jan. 14, 2025
A stirring portrait of Black excellence.
A Black family looks back on the past—and ahead to a bright future.
Nasir and Imani love visiting their grandmother, a famous photographer. Today she has a surprise: “When I was your age, my momma showed me this book of photographs and told me, This is what greatness looks like.” With each turn of the page, the kids—and readers—are transported to a world of Black greatness. An image of Bessie Coleman inspires Imani to dig through Grandma’s old clothes until she becomes the spitting image of the famed pilot, while Nasir takes inspiration from the Tuskegee Airmen for his matching costume. The illustrations effectively blend stock photos of the storied subjects with contemporary photos (taken by the authors) of the two youngsters reenacting pivotal moments of Black history, including Ruby Bridges becoming the first Black student to enroll in an all-white school in Louisiana and Tommie Smith and John Carlos’ protest at the 1968 Olympics. Flourishes of sparkling light swirling through the scenes make clear that Grandma’s book is infused with a bit of magic. Pages and pages of costumed portraiture are equal parts empowering and delightful as the narrative shifts focus to more contemporary figures such as Colin Kaepernick and Beyoncé, culminating with the acknowledgment that Nasir and Imani could very well be great themselves someday.
A stirring portrait of Black excellence. (brief biographies of the people mentioned) (Picture book. 4-8)Pub Date: Jan. 14, 2025
ISBN: 9780316491174
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
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by Natasha Anastasia Tarpley ; illustrated by Regis Bethencourt & Kahran Bethencourt
by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
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