The inaugural book, on the remarkable half-decade that produced The Metamorphosis, The Trial, and “In the Penal Colony,” is...
The final installment in German scholar Stach’s magisterial three-part biography (Kafka: The Years of Insight, 2013, etc.), covering, in appropriately Kafkaesque nonsequential fashion, the writer’s childhood and youth.
A preface by Frisch, the superb translator of all three volumes, explains that the peculiar order was dictated by lack of access to the archives of Max Brod, close friend and literary executor, whose extensive diaries concerning the crucial years of Kafka’s formative literary efforts only became available recently. Stach makes astute use of this material to assess the complicated relationship between Kafka and the gregarious, ambitious Brod, who could never understand why his talented friend was so reluctant to publish and agonizingly slow to produce. Stach’s examination of the years before the men met at university in 1902 suggests a few reasons, most having to do with the pressure to achieve placed on young Franz by his overbearing father, Hermann. This analysis is sometimes swamped by the enormous amount of background on everything from anti-Semitism as a function of rising Czech nationalism to the nature of education in the late 19th-century; these and other highly relevant subjects could have been covered more cogently. However, the abundance of detail enables Stach to paint a vivid picture of the history and culture of Prague, Kafka’s hometown and lifelong residence. His portrait of the artist is intimately knowing: Kafka seizes our attention as a man neurotic yet deeply self-aware, frail yet devoted to swimming and hiking, always holding himself at a social remove yet a frequent visitor to Prague’s wine bars and coffee shops. Most importantly, the author makes palpable Kafka’s perfectionist striving for a prose of surreal clarity, “the axe for the frozen sea within us.”
The inaugural book, on the remarkable half-decade that produced The Metamorphosis, The Trial, and “In the Penal Colony,” is still the best, but this slightly overstuffed volume completes an indispensable work about a key figure in 20th-century modernism.Pub Date: Nov. 1, 2016
ISBN: 978-0-691-15198-4
Page Count: 616
Publisher: Princeton Univ.
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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