A fun and scary slasher thriller.
A Fourth of July celebration turns deadly for a group of teens in Ross’ YA psychological thriller.
Eighteen-year-old Riley March and four girlfriends—Cam, Val, Nia, and Blake— are off on a celebratory Independence Day weekend away, their last before they all leave for college in the fall. Their destination is the exclusive and remote Palm Key Island, the perfect location for wealthy kids to spend their leisure time. Some of their other friends from school are there, too, including Riley’s crush, Sebastian. Riley needs to make sure no one finds out her biggest secret: She really doesn’t belong in this group, as she is not rich like her friends. Their weekend of sun, booze, and partying starts to go wrong when Val disappears after a night out clubbing—she’s presumably off with a boy—and warnings of an approaching hurricane sour the mood. As the group (joined by some male friends) hunkers down, trapped inside their rental with no internet or electricity while waiting for the storm to pass, tensions build and relationships start to unravel. They learn why their summer house rental is so cheap as casualties begin mount. The author’s compelling, fast-paced thriller pays homage to slasher movies and serial killer lore with a fun hook: “Things no longer seem fun and light anymore as I remember we’re about to be trapped in a hurricane—and in a murder house, no less. The only thing worse than that is being trapped in a hurricane, in a murder house, in complete darkness.” As the scares spiral, Ross maintains a tight focus on the complex, complicated relationship dynamics within the group of teen girls, all conveyed from Riley’s outsider/insider’s perspective. Still reeling from a close friend’s death by suicide the year before, the group’s secrets start to spill out, unveiling a history of bullying, competition, and privilege in a well-balanced narrative arc.
A fun and scary slasher thriller.Pub Date: June 13, 2023
ISBN: 978-0988256828
Page Count: 266
Publisher: Ic13 Books
Review Posted Online: June 1, 2023
Kirkus Reviews Issue: July 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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