Unresolved conflicts and lack of character growth let down a promising premise.
Romantic and interpersonal tensions come to a head for a group of friends during a spring semester at college.
This graphic novel opens on a snowy evening at Hillock College, where the semester is off to a bumpy start for Molly Song and her friend Lou Kingston. Molly is reeling from a recent breakup with her girlfriend, Olene Reed, who dumped Molly via email from the plane to Europe, where she’s spending the semester studying in France. Also in France? Lou’s ex, Yona Escobar. Though Yona is conflicted about her breakup with Lou, Olene is determined that they let go of past baggage and make the most of their time abroad. Through shopping trips, selfies, and a spontaneous kiss on the dance floor at a local lesbian bar, Yona soon realizes she has romantic feelings for Olene. But Olene is keeping a big secret that may change their relationship forever. Back on campus, Molly is still wallowing when her roommate, Jackie Holman, invites her to a party at her ex Anjali’s house. Molly agrees to go, with Lou in tow, in the hopes that they can find some rebound girlfriends. But when Lou becomes instantly infatuated with Anjali, Molly can’t help but feel jealous. And as her affection for Lou grows, Molly makes a decision that upends her life at Hillock once again. A charming, loose art style adds some levity to the novel’s heavier themes, and the color palette—shades of blue, purple, pink, and orange—beautifully mirrors the ever-shifting and deeply felt emotional states of the characters. But while the author is deft at exploring the nuances of complicated relationships, with a particular focus on queer identity, the characters don’t have much substance beyond their romantic motivations.
Unresolved conflicts and lack of character growth let down a promising premise.Pub Date: Dec. 17, 2024
ISBN: 9781637155264
Page Count: 224
Publisher: Oni Press
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...
A bland, uninspired graphic adaptation of the Bard’s renowned love story.
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).Pub Date: May 10, 2011
ISBN: 978-93-80028-58-3
Page Count: 80
Publisher: Campfire
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
