by René Saldaña Jr. ‧ RELEASE DATE: Oct. 30, 2010
Two Rio Grande Valley high schoolers flirt with cutting out early but find reasons to finish school in this purposeful but intense tale. For Beto, it’s a combination of pride, disinterest in school and a clash with his caring but harsh father that sends him stalking away to spend the night in a Dumpster. For Beto's longtime friend Jessy, it’s a strong desire to be an artist, plus the strain of hearing her father beating her mother and knowing that her turn will be coming up one of these nights, that drives her to head for the bus to San Antonio. Using a mix of tenses and all three persons, Saldaña lays out his characters’ thoughts and emotional landscapes in broad strokes—creating a third angle of view by adding Beto’s little brother Roelito, who works his nalgas off in school but shows early signs of an ominous anger, as another narrative voice. The action takes place over the course of a little more than 12 hours, neatly capturing the spontaneity of teen impulses. Teen readers chafing at the domestic bit will find food for thought here. (Fiction. YA)
Pub Date: Oct. 30, 2010
ISBN: 978-1-55885-607-3
Page Count: 112
Publisher: Arte Público
Review Posted Online: Aug. 31, 2010
Kirkus Reviews Issue: Sept. 15, 2010
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by René Saldaña Jr. ; translated by Gabriela Baeza Ventura
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by René Saldaña Jr. ; illustrated by Carolyn Dee Flores
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by René Saldaña Jr. ; translated by Carolina Villarroel
by Samantha Schutz ‧ RELEASE DATE: Oct. 1, 2010
“Death is a period / at the end of a sentence,” concludes Annaleah, the 16-year-old protagonist of Schutz’s captivating fictional follow-up to her verse memoir (I Don’t Want To Be Crazy, 2006). And much like the resolute finality fixed in that tiny dot, Annaleah spends a great deal of this free-verse novel stuck contemplating the harsh reality that her sometime boyfriend, Brian—a seemingly healthy, dark-haired, cloudy-blue–eyed 17-year-old—has just dropped dead on the basketball court. Reeling from both physical loss and lack of closure to the meaning of their clandestine relationship, Annaleah finds herself routinely visiting and addressing the deceased Brian, until a chance graveside encounter yields advice that finally begins to hit home: “Nothing grows here,” says Brian’s grandmother, “besides grass.” At first blush appearing to pull out all the melodramatic stops in classic teen fashion, these refreshingly spare lines tackle tough relational issues—intimacy, risk, abandonment—with aplomb, making for a moving tale that also effectively shows teens how life can go on. (Fiction/poetry. 14 & up)
Pub Date: Oct. 1, 2010
ISBN: 970-0-545-16911-0
Page Count: 304
Publisher: PUSH/Scholastic
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
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by Meg Cabot ‧ RELEASE DATE: April 26, 2011
In the current game of one-upsmanship that is the teen paranormal romance market, how does one top vampires, faeries, angels (fallen and otherwise) and the like? Why, make your dark and brooding male lead the Lord of Death, of course. Seventeen-year-old Pierce Oliviera and her mother have just moved to Isla Huesos (an alternative Key West) to start over after her near-death experience two years earlier (she drowned in the backyard swimming pool) and her parents' subsequent breakup. But Isla Huesos just happens to be a portal to the Underworld, making it very easy for tall, dark and handsome John to monitor the girl who ran away from him at 15. She wants to live, darn it, and bad things always happen when he shows up, so why is she so unhappy when he takes back the magical necklace he gave her when she was dead? Cabot's a pro; Pierce is a perfectly likable if almost preternaturally good protagonist; her relationships with her ex-con uncle, underachieving cousin and new buddy Kayla are genuinely endearing, and her interactions with John have the right mix of humor and sexual chemistry. A refreshingly offhandedly gay cemetery sexton rather testily helps Pierce along the way. Ultimately, though, the conventions of the form leach real suspense from the plot, making it feel more like a progress to the inevitable sequel (Underworld, coming in the indefinable soon) than any real reboot of the genre. (Paranormal romance. 14 & up)
Pub Date: April 26, 2011
ISBN: 970-0-545-28410-3
Page Count: 320
Publisher: Point/Scholastic
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 15, 2011
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by Meg Cabot ; illustrated by Cara McGee
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