LIMELIGHT

Poems on thespian themes, presented both straight up and in comics format.

Instructional purpose plays a strong second fiddle to artistic expression in this book. LaTulippe opens with 23 verses embedded into expressive scenes of theatrical production, from first auditions and rehearsals to curtain calls. She then repeats the same poems on plain backgrounds before closing with analytical notes on each one’s mostly varying poetic forms and rhyme schemes, followed by a glossary of theater terms. The author even color-codes each of the six “Acts,” or sections, to differentiate them and adds a bit of history with visual references to period scenery and costumes. Writing with an easy fluidity in a variety of forms, from pantoum to roundel, tercets to couplets, she lets the anthropomorphized theater building, stage, piano, and costumes present their own experiences while capturing the potential of theater to engage actors and audiences emotionally: “Costume ripped / can’t find a pin. / Makeup’s dripping / down my chin. / Who took my wig? / Is that my prop? / What if we’re / a giant flop?” In Gonzales’ equally fluid art, a multiracial cast and crew work hard together, from sign-ups to final bows.

A sparkling show, stuffed with theatrical tributes.