WHAT COULD THAT BE?

In a parable both timely and ageless, a mysterious item on the forest floor excites ominous imaginings in all who come upon it.

Iranian author/illustrator Dalvand depicts trees and figures in shimmering, almost luminescent colors to make the item, a small black lump, look all the more enigmatic. A passing leopard thinks one of her spots may have fallen off, which is scary enough—but other animals’ thoughts tend to the catastrophic. To a crow it’s a piece of star that presages the sky’s imminent collapse; a fox thinks it’s a lost jewel that a murderous army is soon coming to fetch; and an owl sees it as the egg of a fire-breathing dragon. Even though a cat thinks the lump is just a bit of her “poo” and hastily buries it, the whole forest is left in a tizzy. Countering this natural tendency to think the worst, the author wonders if it’s maybe a seed, or a piece of chocolate…or perhaps something lovely and magical that readers might be able to identify? Like Shaun Tan’s The Lost Thing (2005) or, going further back, Tom Paxton and Elizabeth Sayles’ The Marvelous Toy (1996), this may well stir some to ponder whether it’s better to embrace, or at least to welcome, the unknown rather than to fear it.

This German import is a simple play on a provocative notion, with art in pleasingly vivid hues.