SILENT AS THE GRAVE

Getting involved with moviemaking turns out to be a bad idea for a part-time detective in 1909.

Although NYPD Captain Daniel Sullivan acknowledges the talents of his wife, former private detective Molly Murphy, he prefers her to stick to mothering. While Daniel’s away in Washington, though, Molly—whose friendship with her feminist neighbors Sid and Gus often gets her in trouble—lets herself be talked into allowing her clever, beautiful adopted daughter, Bridie, to visit a movie studio where her old friend Ryan O’Hare, a playwright, is acting in a new film. Bridie’s excitement peaks when she’s offered a part originally given to a young girl who can’t remember her lines. With a young son, Liam, and baby Mary Kate at home, Molly is less thrilled because she’s not sure she can trust her friends to chaperone. Acceding to Bridie’s pleas anyway, she spends as much time at the studio as she can and meets director DW Griffith, actress Mary Pickford, and Harry and Arthur Martin, twin brothers who are heavily invested in the studio’s success. They’re constantly battling Thomas Edison, who routinely sues anyone he sees as a competitor. Molly, originally fascinated with filming, comes to realize that some odd occurrences have put the project in jeopardy. Bridie is almost run over by a train, someone is nearly electrocuted in the studio pool, and things keep going wrong. So, Molly dredges up her detective skills and helps Daniel identify a clever killer.

Adventure, real-life characters, and plenty of moviemaking lore combine in this tiptop cozy.