A moving picture book about the resilience one can find in one’s cultural inheritance.
A renowned Indigenous dancer tells her story.
At 4 years old, author Thundercloud, of the Ho-Chunk Nation and Sandia Pueblo, received her first jingle dress—an intricate, hand-sewn garment worn by Indigenous dancers. When she performed for the first time at a powwow, her spirit soared. This feeling never left Thundercloud, and as she grew up, she began dancing in the Native “fancy shawl” tradition as well as in contemporary, jazz, tap, ballet, and modern styles. Despite her meteoric rise in numerous dance communities (which eventually led to her becoming an internationally renowned professional dancer), Thundercloud was a “shy” kid who “didn’t fit in.” She was perpetually “the only Indigenous girl in class,” no one pronounced her name—Wakąja haja pįįwįga, or “Beautiful Thunder Woman”—correctly, and the timid girl “never corrected them.” As Thundercloud reached adulthood, she found strength through her ancestral dance and the birth of her daughter. Empowered by her heritage, Thundercloud now corrects those who mispronounce her daughter Yelihwaha•wíhta’s name (“She Brings Good Energy”), lifting up “a language that still exists, and a culture that we still honor, despite many attempts to wipe it out forever.” Accompanied by Fuller’s evocative illustrations that fill pages with bright colors and dynamic figures, Thundercloud’s rousing story of an uncertain child who grows to take pride in her identity will resonate with readers. (This book was reviewed digitally.)
A moving picture book about the resilience one can find in one’s cultural inheritance. (Picture-book autobiography. 5-10)Pub Date: Sept. 13, 2022
ISBN: 978-0-593-09389-4
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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