Unforgettable.
A boy attempts to rewrite the vicious history of violence toward children.
In this innovative work by noted Mexican creators that’s translated from Spanish, a boy who’s read “many tales of terror—about monsters, the dead, ghosts, haunted houses” is drawn to secretly read the horror story his father is writing. He encounters passages that detail shocking, murderous brutality by adults toward children. The unnamed narrator at first wonders why his father would invent such tales, but newspaper clippings Papá has saved describe acts of unspeakable cruelty from history: “I think now that I would prefer it if they were his own, if he had invented them, if these horror stories only ever happened inside his book.” Mamá has a special letter she “unfolds from time to time to read until she cries.” At school, the teacher describes the murder of the Holy Innocents, reassuring the class, “Don’t worry, those things happened in the past.” But our narrator, all too aware that history repeats itself, cries out, “Where was history when the children were murdered?” Later, seizing upon a solution, he adds “not” throughout his father’s notebook: “These men…did not seize any infant they found with their two bare hands. Then, with those same naked hands, they did not put an end to them.” The story propels readers inexorably toward its shocking climax. Striking black-and-white illustrations in a variety of styles, including photography and graphic design, frequently incorporate lines of text into the art and heighten the emotional impact.
Unforgettable. (Illustrated fiction. 14-adult)Pub Date: Jan. 30, 2024
ISBN: 9781592703623
Page Count: 148
Publisher: Unruly
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
PERSPECTIVES
PERSPECTIVES
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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