Bachman/Stephen King in overdrive, fast as he can type and laughing with bloodglee. King says that The Regulators and Desperation (see below) are companion volumes, like Alice in Wonderland and Through the Looking Glass. And The Regulators, set on one suburban block in Wentworth, Ohio, employs many characters from its mirror novel, set in Desperation, Nevada—but often in far different roles: Bad cop becomes good cop, and Peter Jackson, shot to death early on in Desperation, reappears here only to die as a zombie impaled on cactus spikes. A shining Bachman/King (The Running Man, 1985) gimmick acts as armature for this horror fantasy. When his parents and brother and sister are murdered in a drive-by shooting, Seth Garon, an autistic six-year-old (his mirror character in Desperation is vastly verbal), is adopted by his aunt, Audrey Wyler, and her husband Bill, and taken to live on Poplar Street. Not only autistic, Seth has also been invaded by Tak, an evil entity once buried in a silver mine, who emerges and brings to Poplar Street futuristic vehicles based on images from a Saturday morning animated cartoon, MotoKOPS 2200, as well as characters drawn from reruns of Bonanza's Cartwright saga, and from a 1958 B-movie Western, The Regulators. Poplar Street turns into a killing field as nasty MotoKops blast away at houses and their terrified inhabitants and strange wild beasts with bodies as outlandish as a child's drawings haunt the block. Can Audrey and Seth, helped by aging novelist John Marinville, take on Tak and save Poplar Street from the Saturday morning TV grislies? Television takes a beating as Bachman gooses his cast with forced vulgarity and dumb jokes, and a lovely whimsy clanks off like a 12-ton robo-toy. Read Desperation first and The Regulators may come off in the spirit Bachman/King intends. (First printing of 1,250,000; $2,000,000 ad/promo for The Regulators and Desperation combined; Literary Guild main, Mystery Guild, and Science Fiction Book Club selections; author tour)
Pub Date: Sept. 24, 1996
ISBN: 0-525-94190-8
Page Count: 480
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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