Like most of Bausch's work (Violence, 1992, etc.), his sixth novel—about a family's fate when its Air Force father is imprisoned for two years—has its pleasures, but the material is stretched far too thin, and, though moving at times, the whole thing is far too shapeless. Thomas Boudreaux relates this fictional memoir from the vantage point of his 40s; he lives alone in a beach house in Virginia, runs a used-book store, and tells us his sister is a Mormon. The style is leisurely and elegiac (``I was married, but that has been over for some time now...''), with the bulk of the narrative set in 1967, when Thomas's father—a former POW—is caught stealing an electric typewriter and is dishonorably discharged, then thrown into prison in Wyoming. Wife Connie, North Dakotan by birth, decides against the West and moves with son Thomas and daughter Lisa to Virginia. Aunt Elaine from North Dakota visits, but nothing sways Connie until she decides abruptly to move the family to Wyoming to be near the father. On the train, Connie meets Penny Holt, a lost soul who, much later, arrives without warning in Wyoming. Meanwhile, the father, who was beaten in prison, is released and tries to join the family at the boardinghouse where they live with Penny Holt and a couple of odd ducks. On the day that Robert Kennedy is shot, the father beats up Penny and smacks Thomas, releasing the narrative tension and allowing Thomas to sum up: the family, spent of passion, moves to Minot. Thomas joins the Air Force, goes to Vietnam and returns, to describe his father's grave and his mother's small-town life. The story here, about people victimized by circumstances, is finally more evasive than climactic. Bausch's mÇtier, increasingly, seems to be not the long novel but the short story, where he can shape and prune to incisive effect.
Pub Date: April 22, 1993
ISBN: 0-395-59508-8
Page Count: 352
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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