Mammoth-sized roundup of the 60 best dark-fiction entries in the first 25 issues of Cemetery Dance magazine—a quarterly devoted to works of particularly dark horror, and one distinguished by the quality of its contents. Four of the stories have previously been reprinted in hardcover (including Stephen King's ``Chattery Teeth,'' one of his most amusing, and oddest, tales), though all the fiction first appeared in Cemetery Dance. The tastiest big-ticket item is an interview with Dean Koontz, done for this collection by Robert Morrish, in which Koontz reveals some secrets of his trade—such as deciding to junk Freudian determinism in favor of free will in his fiction—and admits to rewriting the embarrassingly atrocious Demon Seed (which was done in his 20s) for its latest softcover reprint. Morrish also interviews Chizmar about the birth of Cemetery Dance, first published in 1988, and about the problems encountered in bringing out an admittedly esoteric quarterly. As for the stories, standouts include two tales by Peter Crowther, ``Rustle'' (a dreamy doorway leads to some rustling, sibilant, never defined but very hungry ``things'') and ``Eater'' (a necrophage keeps his freezer well stocked with human parts). Also tops are Poppy Z. Brite's stylish ``A Taste of Blood and Altars'' (vampires on sultry spring nights in New Orleans, an excerpt from Brite's knockout first novel Lost Souls), and William F. Nolan's ``Fyodor's Law'' (Raskolnikov's truly extraordinary man, unbound by conventional moral standards, comes to Los Angeles as a wealthy photographer obsessed with pictures of dismembered bodies). The anthology, in fact, serves as a kind of introduction to, and overview of, the zestful and remarkably diverse field of horror fiction in America. For those who like to dance with the dead, well worth the price.
Pub Date: March 1, 1998
ISBN: 1-881475-24-7
Page Count: 800
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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