With all signs of a fervent—perhaps febrile—imagination intact, Egielski (The Gingerbread Boy, 1997, etc.) once again dovetails highly finished, brightly painted illustrations with a manic text. Jazper and his father live in a rented eggshell in Bugtown, but one afternoon the old man has an accident at the tomato plant, and breaks three of his legs. Jazper goes out to find work, and is hired to house-sit by five extremely sinister white moths with death’s-head wings. Jazper, who loves to read, finds great books while he is house-sitting, and learns to transform himself into amazing things; soon, he bills himself as the Amazing Jazper and turns himself into a cheese doodle, a sour pickle, and a big blue crayon. The moths are not pleased, however, and turn themselves into knives when Jazper is a pickle. He then becomes a nut; they become nutcrackers straight out of the ballet. Echoes of the Tam Lin story will sound for folklore aficionados, and the moths come to a fittingly bad end that will remind some of the Wicked Witch of the West. All the characters in this wildly imagined farce are bugs; some are more realistic than others, inhabiting a world of discarded pasta-box apartments and tomato-can houses. When Jazper’s father wants him to just be himself for a while, so he does, in a very reassuring ending. (Picture book. 3-7)
Pub Date: Sept. 30, 1998
ISBN: 0-06-027817-X
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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