A writer who knows his characters and setting creates a compelling, timely work.
Australian novelist Flanagan’s creepy, heavy-handed suspense tale develops around a Sydney stripper caught tragically in a media-frenzied terrorist hysteria.
At the Chairman’s Lounge, an upscale gentlemen’s club in Sydney, works a 26-year-old pole-dancer known as Krystal, or more often, the Doll, though her real name is Gina Davies—a dark-skinned loner who ran away from western Australia when she was 17 and has saved nearly $50,000 from her years dancing to escape to a new life. However, a series of unfortunate events shatters that dream when she spends the night with a fabulously rich, handsome, young foreign stranger, Tariq al-Hakim, a computer programmer and cocaine smuggler, with whom she is photographed entering his apartment house. At the time, the police are looking for a suspected terrorist in the recent bombing at Homebush Olympic Stadium, and Tariq, apparently, is their man, along with his suspected lady accomplice, the Doll, whose photograph is plastered all over the news. Enter the recently demoted second-rate TV newscaster Richard Cody, who frequents the strip club and recognizes the Doll—and a way to bolster his sagging on-air ratings. He begins shamelessly to pump the story in the news so that a veritable manhunt ensues for the stripper, who out of fear and a drug-induced muddle-headedness (cocaine, Zoloft, Stemetil) rejects the idea of turning herself in, and, with the help of her friend, fellow stripper and single mom Wilder, dyes her hair blond and goes into hiding. Nothing will stop Cody, however, especially when Tariq is found dead near the Doll’s apartment; and the poor stripper’s fate as the Unknown Terrorist is sealed. Flanagan (Gould’s Book of Fish, 2001) narrates the story from a position of godlike omniscience, making grim pronouncements on society’s rampant discrimination and fear of foreigners. His tender characterization renders Gina Davies’s tale mightily plausible, and terribly sad.
A writer who knows his characters and setting creates a compelling, timely work.Pub Date: May 1, 2007
ISBN: 0-8021-1851-8
Page Count: 336
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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