by Richard Ford ‧ RELEASE DATE: June 15, 1990
Readers of Ford's last book, a story collection (Rock Springs, 1987), will orient themselves quickly here—and wonder if maybe this isn't a story that got away from that collection and got puffed up a little. The 16-year. old narrator is living in Great Falls, Montana, in 1960. His father is a golf pro who suddenly finds himself fired for no good reason. A short time later, the father packs up and leaves to fight a raging forest fire in the North that threatens never to go out. Almost as soon as he's gone, the mother takes up with the rich and confident Warren Miller, the owner of two local grain elevators. She takes her son to dinner at Miller's house, and later that night has Miller join her in bed. The son wordlessly discovers them—to his great hurt. Then the father returns, commits an act of ineffectual revenge on Miller, and the story drifts away. Warren Miller has some dimensionality, but then he's the fulcrum here. Son, father, and mother (she especially—with a cynicism and sexual impulsiveness that seem just a tad unaligned, given how Ford first portrays her)—all are the least inflected and most stock of characters, paper dolls that seem most evidently designed to soak up sad truths. In Ford, there are scads: "'Your life doesn't mean what you have, sweetheart, or what you get. It's what you're willing to give up. That's an old saying, I know. But it's still true. You need to have something to give up. Okay?'" Or: "And I understood, just as I sat there in the car with my mother, what I thought dangerous was: it was a thing that did not seem able to hurt you, but quickly and deceivingly would." These K-Mart pearls are the kind that country-and-western songs are strung with, and here especially they appear to be the only things Ford's high lonesome sound is after.
Pub Date: June 15, 1990
ISBN: 0802144594
Page Count: 196
Publisher: Atlantic Monthly
Review Posted Online: Sept. 23, 2011
Kirkus Reviews Issue: May 15, 1990
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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