Students of design, politics, economics, and many other fields will delight in these provocative discussions.
A fully revised version of the 2008 bestseller about making decisions.
Thaler and Sunstein advocate what they call “libertarian paternalism,” by which consumers and citizens can be “nudged” to make decisions of their own will that guide them and society toward a more perfect union. For instance, they write, “nudges”—usually matters of design in presenting the choices to be made, from whether to tip a cab driver to combatting the deleterious effects of climate change—can be coupled with other mechanisms, including taxes and even outright bans. In the case of Scandinavian countries, for instance, drunken driving is discouraged through high taxes on alcohol, nudges of various kinds to shame drink-impaired drivers from getting behind the wheel, and harsh penalties for anyone caught driving drunk. As for climate change, “we will need jackhammers and bulldozers, with pocketknives helping where they can.” In other words, every tool helps, from nudges that encourage people to lighten their carbon footprints to cap-and-trade agreements. The authors argue effectively against what they call “required choice,” preferring instead for vendors and governments to provide transparent information, such as labeling products that contain shellfish or peanuts so that those allergic to them can avoid buying them. Still, they allow, there are instances in which required choice is the best solution: One should be able to choose whether to buy one kind of canned soup over another but perhaps not to dictate the ingredients of every restaurant meal. In the spirit of Donald Norman’s The Design of Everyday Things, which they cite, Thaler and Sunstein deliver a spirited argument to enable well-informed people to overcome various biases and “probabilistic harms” to do what is best for them and, in the present case, their fellow “American Humans.”
Students of design, politics, economics, and many other fields will delight in these provocative discussions.Pub Date: Aug. 3, 2021
ISBN: 978-0-14-313700-9
Page Count: 384
Publisher: Penguin
Review Posted Online: May 17, 2021
Kirkus Reviews Issue: June 1, 2021
BOOK REVIEW
A dauntless, moving account of a kidnapping and the horrors that followed.
Enduring the unthinkable.
This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.
A dauntless, moving account of a kidnapping and the horrors that followed.Pub Date: Oct. 7, 2025
ISBN: 9780063489790
Page Count: 208
Publisher: Harper Influence/HarperCollins
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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