Students of design, politics, economics, and many other fields will delight in these provocative discussions.
A fully revised version of the 2008 bestseller about making decisions.
Thaler and Sunstein advocate what they call “libertarian paternalism,” by which consumers and citizens can be “nudged” to make decisions of their own will that guide them and society toward a more perfect union. For instance, they write, “nudges”—usually matters of design in presenting the choices to be made, from whether to tip a cab driver to combatting the deleterious effects of climate change—can be coupled with other mechanisms, including taxes and even outright bans. In the case of Scandinavian countries, for instance, drunken driving is discouraged through high taxes on alcohol, nudges of various kinds to shame drink-impaired drivers from getting behind the wheel, and harsh penalties for anyone caught driving drunk. As for climate change, “we will need jackhammers and bulldozers, with pocketknives helping where they can.” In other words, every tool helps, from nudges that encourage people to lighten their carbon footprints to cap-and-trade agreements. The authors argue effectively against what they call “required choice,” preferring instead for vendors and governments to provide transparent information, such as labeling products that contain shellfish or peanuts so that those allergic to them can avoid buying them. Still, they allow, there are instances in which required choice is the best solution: One should be able to choose whether to buy one kind of canned soup over another but perhaps not to dictate the ingredients of every restaurant meal. In the spirit of Donald Norman’s The Design of Everyday Things, which they cite, Thaler and Sunstein deliver a spirited argument to enable well-informed people to overcome various biases and “probabilistic harms” to do what is best for them and, in the present case, their fellow “American Humans.”
Students of design, politics, economics, and many other fields will delight in these provocative discussions.Pub Date: Aug. 3, 2021
ISBN: 978-0-14-313700-9
Page Count: 384
Publisher: Penguin
Review Posted Online: May 17, 2021
Kirkus Reviews Issue: June 1, 2021
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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