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TWO NEW YEARS

A bright, sparkling celebration of a multicultural family.

Two different cultures share joy in many ways.

A family consisting of a light-skinned Jewish parent with a head covering, a Chinese parent, and their two children celebrate two new years. Parallel stores in the illustrations depict the family observing Rosh Hashana and Lunar New Year. While there are obvious differences between the two holidays (“One follows the Jewish calendar. One follows the Chinese calendar”), the focus is on the “many ways they are also alike”; an accompanying image shows the parents holding hands across the pages as they bridge cultures. The gentle narrative reveals the meanings behind each tradition, while delicate, intricate illustrations depict culturally specific practices such as the Chinese custom of sweeping dirt out of the house and the Jewish ceremony of tashlich. “Both New Years inspire delicious dishes,” and two sides of a double-page spread show the delectable new year feasts from both cultures. The children’s expressions glow as they gather with a diverse congregation in a synagogue to sing; on the facing page, the silhouetted family’s happiness is clear as they watch lanterns lift into the night sky. Scurfield deftly uses differing color schemes, with light blue and patterns of white to represent the Jewish traditions, while bold red patterns and yellow represent the Chinese side. As the story progresses, the contrasting patterns and colors bleed into each other to truly celebrate all of the family’s identities. (This book was reviewed digitally.)

A bright, sparkling celebration of a multicultural family. (author’s note, visual glossary) (Picture book. 5-8)

Pub Date: Aug. 8, 2023

ISBN: 9781797212814

Page Count: 44

Publisher: Chronicle Books

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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PLAYING WITH LANTERNS

A charming illustration of childhood memories during the holiday season.

A colorful wintry tale ushers in Chinese New Year over two weeks.

In this picture book, the narrator recounts with nostalgia an observance of the traditional New Year in rural northern China. The snow-covered village bustles with activity as folks venture out to greet relatives and friends. “On the third day, uncles started giving LANTERNS” refers to an old custom in provincial Shaanxi—especially among maternal uncles. Palpable and immediate are Zhao Di’s eager anticipation and the care with which she “walk[s] through the snow with her lantern in case she slipped or the candle blew out in the wind.” Simple yet vivid close-ups depict Zhao Di and her friends, bundled head to toe and comparing lantern designs—accordion, watermelon, etc.—while braving the cold and a bunch of rowdy boys. All too soon, the 15th day arrives, signaling the end of the New Year celebrations. In a pivotal spread that shows Zhao Di sitting with her dog and chickens, readers are granted an interior view of the architecture and layout of a rustic farmhouse. In addition, the villagers’ various clothing styles, headdresses, and skin tones suggest the region’s diverse ethnicities and socio-economic landscapes. As the story concludes with the obligatory smashing and burning of the lanterns, Zhao Di comforts herself with the hopeful thought of lighting new lanterns next year.

A charming illustration of childhood memories during the holiday season. (author's note) (Picture book. 5-8)

Pub Date: Dec. 7, 2021

ISBN: 978-1-5420-2984-1

Page Count: 40

Publisher: Amazon Crossing Kids

Review Posted Online: Sept. 23, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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DOLLY PARTON'S BILLY THE KID COMES HOME FOR CHRISTMAS

A holiday outing that doesn’t quite satisfy.

In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.

Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.

A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)

Pub Date: Oct. 1, 2024

ISBN: 9780593755006

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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