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Pitman’s Broadway Theatre at 100

A thorough and deeply felt story of a New Jersey landmark.

Eldredge details the history of a much-loved theater in Pitman, New Jersey, which will celebrate its centennial in 2026.

The prologue begins with imminent disaster: In 2002, the Broadway Theater was about to close its doors, due to bankruptcy. Before readers learn its fate, the book jumps back to the late 1800s to discuss the early history of Pitman itself, and how that history laid the groundwork for the Broadway’s eventual founding in 1926. The town began as a seasonal Methodist camp and grew into a large town; one particularly notable landmark was the mansion of the Carr family, which stood at its center. The mansion would later be torn down and turned into the theater, which was outfitted with a high-quality organ and hosted live shows and movies alike. Throughout its history, the theater had to adapt in various ways to what appealed to people in Pitman and to the residents of the less religious, nearby towns beyond it. As movie theaters became commonplace later in the 20th century, the theater largely moved back to live performances. A husband and wife eventually bought the theater outright and still own it today; it continues to thrive as a culture center of Pitman and South Jersey more broadly. Eldredge’s history uses a combination of anecdotal examples, biographical detail, and broader historical context, including details of local politics, to create a sweeping narrative of the Broadway. There are many specific details that make the history feel especially vivid, and the many interviews help to personalize the events of its story further. Sometimes, the book can feel a little bit disorganized; in particular, its strict chronology can work against it, making it difficult to trace recurring themes clearly. However, this is a small complaint, and it’s easy to perceive the clear love and pride that the author feels for that local institution.

A thorough and deeply felt story of a New Jersey landmark.

Pub Date: Sept. 23, 2025

ISBN: 9798991206013

Page Count: 284

Publisher: Ardmore Avenue Publishing

Review Posted Online: June 25, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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