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MONSTER’S PROOF

Fifteen-year-old cheerleader Godeliva “Livey” Ell struggles with algebra, while her ten-year-old genius brother, Darby, resembles their clueless mathematician father, absent theoretical physicist mother and wacky great-aunt Ludy, a mathematician who worked on the first hydrogen bomb and developed the “Thingamabob Conjecture.” With the help of Aunt Ludy’s old books, Darby proves the conjecture, unleashing a megalomaniac from another universe, The Alpha Omega Function (“Bob” for short), who relishes the Pythagorean Brotherhood that worships him as well as Skippy Super Chunk peanut butter, sets out to fix the asymmetry on earth (e.g., righting the Leaning Tower of Pisa) and wreaks untold havoc. A ridiculous chase to capture this genie-like monster ensues, with Darby and Livey aided by a seraph and a rebel angel and the FBI on everyone’s heels. Despite the unique math angle, the only thing this slow, convoluted thriller consistently proves is its unappealing qualities to teens: stereotyped characters, false voices, failed attempts at humor, Livey’s undeveloped romance with the rebel angel and religious undertones that border on didacticism. Skip to the next problem. (Fantasy. 12-16)

Pub Date: July 7, 2009

ISBN: 978-1-4169-3591-9

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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ONCE UPON A BROKEN HEART

From the Once Upon a Broken Heart series , Vol. 1

A lushly written story with an intriguing heart.

After praying to a Fate for help, Evangeline discovers the dangerous world of magic.

When her father passes away, Evangeline is left with her cold stepmother and kind but distant stepsister, Marisol. Despite inheriting a steady trust in magic, belief in her late mother’s homeland of the mystical North (where fantastical creatures live), and philosophy of hope for the future, her dreams are dashed when Luc, her love, pledges to marry Marisol instead. Evangeline desperately prays to the Prince of Hearts, a dangerous and fickle Fate famed for his heart that is waiting to be revived by his one true love—and his potentially lethal kisses. The bargain they strike sends her on a dark and magical journey throughout the land. The writing style fluctuates from clever and original to overly verbose and often confusing in its jumble of senses. While the pervasive magic and concept of the Fates as a religious system add interest, other fantasy elements are haphazardly incorporated without enough time devoted to building a cohesive world. However, the themes of love, the power of story, family influence, and holding onto belief are well rounded and add depth. The plot contains welcome surprises, and the large cast piques curiosity; readers will wish more time was spent getting to know them. Evangeline has rose-gold hair and, like other main characters, reads as White; there is diversity among the fantasy races in this world.

A lushly written story with an intriguing heart. (map) (Fantasy. 12-16)

Pub Date: Sept. 28, 2021

ISBN: 978-1-250-26839-6

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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