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BLOOD LIES

From the Rogue Warrior series , Vol. 4

In the latest covert-ops Rogue Warrior caper penned by and starring wisecracking ex-Navy SEAL Marcinko, two damsels in distress in Mexico need help—and then there's the matter of a Hezbollah camp the female secretary of state has heard is being harbored by the Mexican drug cartel.

Marcinko first must rescue Melissa, the beautiful and feisty 22-year-old daughter of a retired SEAL, from kidnappers. Then he must help the equally stunning Veronica, a former Detroit cop, find her grandparents, who vanished after buying a home in Mexico. When not being complimented on his books, which are in the possession of friends and foes alike, our op-for-hire spends most of his time dodging bullets, bombs, missiles, land mines and vicious dogs. All the while, he instructs the reader on the do's and don'ts of thwarting the enemy, à la superspy Michael Weston on TV's Burn Notice, only with a higher degree of self-appreciation. It takes a certain skill to maintain a genial attitude while blowing the top of a baddie's head off, but Marcinko the narrator/action figure has that down pat. Even when requiring snarky or explanatory footnotes, his riffs—to a point—keep the book afloat. (Credit for that is due to co-author DeFelice, whose FBI thriller The Helios Conspiracy is spiked with wit). The plot is little more than an excuse for chest-thumping, making disappointingly little of the Hezbollah angle. Navy hero Marcinko's latest fictional adventure may well get rave reviews from characters in his next Rogue Warrior novel, but its modern-day swashbuckle wears thin.

 

Pub Date: Sept. 18, 2012

ISBN: 978-0-7653-2541-9

Page Count: 368

Publisher: Forge

Review Posted Online: Aug. 3, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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