by Richard O'Neill ; illustrated by Kirsti Beautyman ‧ RELEASE DATE: Sept. 1, 2019
The difference between homework and home work? Nothing, in this case! (Picture book. 6-8)
So busy is a young Traveler’s weekend that he doesn’t realize until too late that he’s misplaced his homework book.
In the latest of a string of episodes richly infused with Traveler culture, O’Neill (Polonius the Pit Pony, 2018, etc.) pitches bitti mush (little man) Sonny into preparations for a cousin’s wedding that begin with cleaning the special cart and continue through watching a farrier make a new shoe for the driving gry (cart horse) to planning the road trip, dancing after the wedding, telling stories, and more. Afterward, he helps an older neighbor send an email message and makes popovers for Sunday dinner, among other activities. The next day, after fruitlessly searching for his book, Sonny glumly recounts the events of the weekend to the teacher and his class—who point out that his weekend’s included science (with the farrier), “food tech,” music, English, and every other subject too. The author slips Romani words into the narrative without italicizing them but does provide a glossary. Though Sonny lives in a kushti atchin tan (settled community) Beautyman evokes the Traveler way of life by tucking campers or motor homes into the backgrounds of several scenes. Sonny, olive-skinned and dark-haired, joins neighbors and relatives who display a range of skin tones; his classmates reflect the vigorous diversity of today’s British Isles.
The difference between homework and home work? Nothing, in this case! (Picture book. 6-8)Pub Date: Sept. 1, 2019
ISBN: 978-1-78628-346-7
Page Count: 32
Publisher: Child's Play
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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by Cleo Wade ; illustrated by Lucie de Moyencourt ‧ RELEASE DATE: March 23, 2021
Inspiration, shrink wrapped.
From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.
Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.
Inspiration, shrink wrapped. (Picture book. 6-8, adult)Pub Date: March 23, 2021
ISBN: 978-1-250-26949-2
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: April 7, 2021
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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