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AMANDA/MIRANDA

Peck has unearthed one of the hoariest of chimney-corner romantic devices—the wobbly course of love and intrigue when two young things of diverse origins and temperament look exactly alike and cross destinies; and he displays it here in late-Edwardian satin, with agile prose and a straight face. Amanda, witchy and beautiful daughter of Lady Eleanor and Sir Timothy Whitwell of the Isle of Wight and London, has been born to command. . . while her look-alike, poor Mary Cooke (renamed Miranda), has been trained, in a hard-scrabble childhood, to serve. Thus, when Amanda begins thrashing with passion for chauffeur John Thorne, she snares Miranda for her personal maid and plots to marry her to Thorne. The plan succeeds—and Amanda, three months pregnant with Thorne's child, then accepts the proposal of nice idealistic American Gregory Forrest. The wedding is to be in New York, and with Thorne and Miranda attending the bridal couple in America, Amanda can carry on her affair with Thorne with Miranda as a visual cover. (Anyone would assume the woman in his arms to be wife Miranda.) So off go the two women to America—on the Titanic, of course—and in the midst of mid-Atlantic disaster, Miranda (though bitter about her mistress' nasty doings) tries to save Amanda. . . who dies in the cabin of a shipboard lover. (Thorne will take another liner.) Miranda is just barely rescued, badly injured about the face, and—what else? She drifts into the role of Amanda, marries an initially-fooled Gregory (Thorne visits, penetrates the disguise, but takes a decent farewell), has two children with her loving husband, and (very sweetly and quietly) has the soft last laugh. Throughout, there are subplot and character diversions aplenty: a dark ghostly matter involving the Whitwell's "dead" son; the bright pan-banging gossip of servants; the mayfly nuptial dance of a straggly housemaid. And the proceedings are always accompanied by parades of viands and sumptuous living. All in all, a gorgeously romantic, implausible affair comfy as eiderdown.

Pub Date: March 11, 1980

ISBN: 0141312173

Page Count: 178

Publisher: Viking

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: March 1, 1980

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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