Not once, but three different times, Brian Bishop finds himself staring into the "Awful Face of Death." Brian's stunned reactions to the suddenness of death and the ultimate incomprehensibility of a corpse are in stark counterpoint to his other memories of his thirteenth summer. He and his friend Flip subsist largely on sly adolescent wit — chuckling over the inept efforts of English teacher Mabel Klimer to introduce them to POETRY, Brian's mother's fondness for Bacharach, and the frumpish gentility of an old local history book produced by one Estella Winlder Bates; they also fantasize together about their hero, the YMCA swimming teacher whom they nickname Ralph The Free. After the two boys find the body of an old tramp in the woods Flip, who lives up to his name and has a cruel streak besides, encourages Brian in another illusion: perhaps the pathetic fat boy Elvan, who has been trying to interest them in his collection of Nazi souvenirs, knows something more about the tramp's death? Their efforts to build their discovery into a full-scale mystery eventually leads to a real tragedy — a startlingly convincing freak accident which sets the seal to Brian's chronicle of innocence remembered and lost. Less convincing, however, is the implication that Flip is actually responsible for what happens to Elvan. This assignment of guilt by hindsight adds an unsettling dimension to an otherwise finely tuned shocker. Though the fraternal naivete of boarding school life in another generation has been replaced with a kind of wry public school prescience, this ambiguous mixture of nostalgia and guilt is invariably reminiscent of a Separate Peace. The message is somewhat less than meets the eye, but for boys at a certain stage of growing up, Dreamland Lake projects a firm reality.
Pub Date: Aug. 6, 1973
ISBN: 0141308125
Page Count: 147
Publisher: Holt Rinehart & Winston
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Aug. 1, 1973
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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