A slight story about three girlhood friends, now in midlife crisis, who take a London holiday that miraculously takes care of all their problems. Reunited just outside of St. Louis for a funeral, Julia, a hardened New York interior designer; Margo, a recently divorced schoolmarm; and society lady Les can see clearly through each others— threadbare facades of happiness. Through flashback we learn of the three women’s youth: how Les became pregnant to catch Harry, the richest college boy in town, how studious Margo entered into a self-sacrificing marriage to an academic, and how Julia’s fierce determination to leave provincial life fueled her relentless drive for success—and how, though all goals were achieved, the women are unfulfilled by their long-ago fantasies of perfection. When a random act of violence puts Margo out of commission and her arm in a sling, the three decide to visit London. They stay with a Mrs. Smith-Porter, a mysterious woman with an invented identity who serves as their fairy godmother. Mrs. Smith-Porter (whose oh-so-tasteful and elite bed and breakfast is furnished with exhaustively described antiques) introduces Julia to Hugh, a roguishly handsome antiques dealer, and’surprise!—a landed lord, whom she falls quickly in love with. Margo also has an opportunity to fix her life when her surly teenage daughter runs away (the girl tagged along to rendezvous with her boyfriend, studying abroad) and her ex-husband and his’surprise!—male lover come to sort things out, allowing Margo the closure she needed to get on with her life, which she promptly does by hooking up with a widowed London doctor. Which leaves Les, whose terminal ennui is erased when Mrs. Smith-Porter is accidentally killed by a speeding truck and Les decides to stay in London, too, taking over the B&B business and escorting socialites like herself around town. A thoroughly silly, predictable tale from a prolific YA author.
Pub Date: June 1, 1998
ISBN: 0-670-87368-3
Page Count: 272
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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