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SOMEBODY'S FOOL

Russo’s version of the good old-fashioned comic novel is the gold standard, full of heart and dexterous storytelling.

Back to North Bath, New York, for a third round of misadventures, tomfoolery, and personal growth.

The demise of Donald “Sully” Sullivan, Russo’s beloved main character, in Everybody's Fool (2016), is no obstacle to the success of the author's return visit to the benighted North Bath, though at its opening the town is put out of its misery by being officially dissolved, its environs annexed to its bright and shiny neighbor, Schuyler Springs. Despite his death, Sully casts a long shadow over the doings of the remaining population: Peter, his college professor son; Rub, his old sidekick; Chief of Police Douglas Raymer, his erstwhile nemesis; Ruth, his longtime paramour—all constantly find themselves recalling his instructions and example. Though the closing of the North Bath police department puts Raymer out of a job, when a body is found at the long-shuttered Sans Souci hotel, he is sent to investigate by his former employee and on-again, off-again girlfriend: the new chief of police of Schuyler Springs, Charice Bond. Charice is attractive and Black, while middle-aged Raymer looks like “he and the Pillsbury Doughboy might have a common ancestor,” but Charice’s twin brother, Jerome, is on hand to teach Raymer a few things he needs to know about the Black experience. In other news, a third generation of Sullivan shows up in town—Peter's son Thomas, from whom he has been long estranged. Thomas looks a lot like his brother Will, the only one of the boys Peter raised, now abroad on a Fulbright scholarship as a result of advantages that Thomas and his younger brother lacked and about which they are bitterly resentful. Another three-generation plotline involves the thorny relationships among Ruth, her daughter, Janey, and her granddaughter, Tina. Bad cops, bigotry, partner violence, nefarious schemes, and confusing therapy sessions aside, almost all of the characters experience significant improvements in their self-concepts, relationships, and circumstances. The king is dead, long live the king!

Russo’s version of the good old-fashioned comic novel is the gold standard, full of heart and dexterous storytelling.

Pub Date: July 25, 2023

ISBN: 9780593317891

Page Count: 464

Publisher: Knopf

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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