THE RISK POOL

The author of the well-received first novel Mohawk (1986), a long soap opera set in a decaying mill town in upstate New York, here returns to that setting with a father-son drama that spans several decades. With an unerring sense of place, the book transcends some soapiness of its own and breathes life into its small-town types. Ned Hall tells the story of his father Sam, who is at the very bottom of the autoinsurance risk pool; of his mother Jenny, who breaks down after her lover, a priest, leaves her at the communion rail; and of the assorted citizens of Mohawk, ranging from suicidal adolescents and battered drunks to well-to-do philanderers and a solicitous attorney. Sam is the most memorable character, a classic rogue and no-account who appears in his son's life at will until Jenny breaks down. Ned moves in with his father and receives a young man's classic education into street life in the 50's: he learns how to play pool, how to bet the horses, how to steal and lie—partly from malice and hurt, partly to please others. He witnesses endless fights between his father and Drew, the son of his father's girlfriend. He falls in love with the well-to-do girl on the hill and returns, years later, to become her lover and his father's buddy before leaving again. Drew gets killed, Jenny moves to California with the solicitous lawyer, and Sam gets cancer. Though the book gets baggy with too many long-winded stories about smalltown eccentrics and grotesques, its ending is a powerful epiphany, if a bit forced: Ned's girl has a child at the same time as Sam dies. The seasonal structure here comes full circle. Self-consciously written as an old-fashioned novel, the book creates a time and place with gusto and, by its end, manages to move us.