As ever with Atkinson, an exemplary work of narrative history.
The Revolutionary War enters its most desperate phase in the second volume of Atkinson’s trilogy.
To read this book by prolific military historian Atkinson is to see the Revolutionary War as both a civil war—loyalists against rebels, with a sizable number of uncommitted colonists in between—and an international war involving numerous European powers. Indeed, Atkinson’s book opens in France, where two nobles, Baron Johann de Kalb and Gilbert du Motier, a.k.a. the Marquis de Lafayette, are surreptitiously making their way to a boat to America, where both have been recruited to join the Continental Army at high rank. Atkinson then shifts the scene to the frontier: to Ticonderoga, where Continentals were routed twice, and to a farm settlement where British-allied Indians infamously scalped a young woman—ironically, engaged to a loyalist officer—while she was still alive, whipping up a furiously vengeful response: “Newspaper accounts of the atrocity, published over the coming weeks…fueled American contempt for the British and rage at the Indians.” Atkinson thoughtfully appraises some of the principal figures in the conflict, including British General John Burgoyne, immensely popular with his troops and insistent on recruiting Irish Catholics, “traditionally excluded from the army.” (Toward the close of his book, Atkinson writes of anti-Catholic riots in London that in the end were quashed with military force.) As for George Washington, having survived disastrous defeats and the hard winter at Valley Forge, Atkinson concludes that “in an era of great men, he already was in the front rank.” Between vivid accounts of engagements such as the crushing Continental defeat at Charleston, Atkinson looks at the practical facts of the war, including the heavy casualty rate the British suffered in trying to retain their colonies for an adamant King George III—for, as Atkinson rightly asks, “Without America, would Britain even have an empire?”
As ever with Atkinson, an exemplary work of narrative history.Pub Date: April 29, 2025
ISBN: 9780593799185
Page Count: 880
Publisher: Crown
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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