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CUT AND RUN

Awfully fast and agreeably scary.

A throat slasher and a U.S. Marshall duel for possession of a woman who knows much too much about the government’s witness protection program.

Paolo, the merciless throat slasher and self-mutilator in this latest from tension master Pearson (The Body of David Hayes, 2004, etc.), is in the employ of the super-evil Romero gang, very bad guys who have somehow come to control the government programmer who encrypted every bit of information about every last federally protected witness. Among the thousands of witnesses now threatened with exposure is Hope Stevens, the woman with the goods on the Romeros and the great vanished love of U.S. Marshall Roland Larson’s life. The door that slammed shut five years ago on any future for the two when Hope entered the witness protection program without him is now ajar, and Larson is dead keen to find her, save her and take up where they left off. But there’s a complication. Larson learns that Hope, who left the protection program to vanish even deeper into the heartland, now has someone else in her life. Following the slightest of clues, Paolo and Larson chase Hope from city to city, just missing her and each other, until Paolo is clever enough to snatch the plucky five-year-old daughter Hope has hidden from the world. When Larson at last finds Hope, she’s frantic with fear for the child, and Larson has his hands full keeping her safe and out of the hunt for Paolo, the missing programmer, and the Romero gang who are getting ready to auction off their wealth of information to their revenge-crazed underworld associates. Newly exposed witnesses begin to drop as the Romeros demonstrate the goods. Cell phone and e-mail trails lead the couple from Florida all the way to Pearson’s favorite Pacific Northwest, where Paolo, now maimed by oven cleaner but still holding Penny, is headed to the auction, still under orders to murder Hope Stevens.

Awfully fast and agreeably scary.

Pub Date: April 6, 2005

ISBN: 0-7868-6726-4

Page Count: 416

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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