Coming back strong from last year's ragged Probable Cause, Pearson turns in a tale of international terrorism that offers the sort of breakneck action, mature characterization, and tight forensic detail that made Undercurrents (1988) a police-procedural classic. The story opens with a literal bang as hero Cameron Daggett's FBI superior opens a booby-trapped suitcase and blows himself and Daggett's chief link to German radical environmental-terrorist Anthony Kort to kingdom come. The foul-up particularly irks Daggett because he's sure that Kort is responsible for the airplane bombing two years back that killed Daggett's parents and left his son Duncan a paraplegic. Daggett picks up Kort's trail again, though, after the German questions and kills a Seattle flight instructor and then somehow causes the crash of a plane taking off from L.A.'s LAX—a crash that, after complex forensic deduction, Daggett and his new sidekick, alluring FAA agent Lynn Greene, eventually pinpoint to poison gas released on the plane. Tracing Kort to D.C., Daggett and Greene realize that the German plans to down another plane. The pair give chase even as, right under Daggett's nose, Kort sets about seducing Daggett's live-in girlfriend, Caroline, who responds warmly in retaliation for Daggett's growing interest in Greene. Stealing Caroline's keys, Kort sneaks into Daggett's house, kidnaps crippled Duncan, and then fakes his own death in order to divert Daggett from discovering his goal: to crash a plane into the Pentagon, where five leading industrial polluters will be meeting. But as the minutes to the ``hard fall'' of the plane tick down, Kort still hasn't figured on Caroline's furious love for Duncan or on Daggett's rage for revenge at any cost.... Not as psychologically probing as Undercurrents, and hampered by the far-fetched premise, but, overall, a well-oiled thriller with every gear smoothly spinning at top speed.
Pub Date: Jan. 17, 1992
ISBN: 0-385-30138-3
Page Count: 400
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1991
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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