Filled with bromides about tradecraft—“We don’t know who we’re working for. We don’t know who we’re working against”; “[t]he...
A third adventure takes globe-trotting independent contractor John Knox and forensic accountant Grace Chu to Istanbul—and all around, over and beneath this crossroads city as well.
According to David Dulwich, the only thing Rutherford Risk needs is for Knox and Grace to finagle five minutes alone with Mashe Okle, a medical-equipment designer and financier whose restaurateur brother Akram is incurably addicted to antiquities. The enticement will be a bust of Harmodius presumed lost for many years, now duly authenticated and offered to Akram for a small fraction of its estimated $10 million value. As usual (Choke Point, 2013, etc.), Knox thinks the project sounds dubious, and Dulwich’s mantra in response to his questions—“NTK,” for Need to Know—isn’t reassuring. But the medications Knox’s brother and partner back in Michigan needs are so pricey that Knox has little choice. So he signs on and heads for Istanbul, a fascinating, inscrutable city where the one thing that’s clear is that every player in this particular game—Akram, Mashe, gallery owner Victoria Momani, art evaluator Dr. Hassan Adjani and, of course, Dulwich himself—is also playing one of a number of deeper games. Grace is kidnapped; Knox is shot at; and the closer they get to their target, the more elusive he seems. That’s not just because the characters are opaque; it’s because brainy Pearson’s plotting and writing are designed to impress and befuddle the gentle reader, who may feel as overwhelmed as the sorely tried principals.
Filled with bromides about tradecraft—“We don’t know who we’re working for. We don’t know who we’re working against”; “[t]he easy answer is never the right one”; “too many unknowns”—that are all too appropriate to this Rubik’s cube of a thriller.Pub Date: June 17, 2014
ISBN: 978-0-399-16374-6
Page Count: 416
Publisher: Putnam
Review Posted Online: May 17, 2014
Kirkus Reviews Issue: June 1, 2014
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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