Not even Pearson’s niftiest action sequences can make up for the ho-hum forensics, the colorless villain, and the absence of...
The smuggling of illegal aliens may be big business, but it makes for a surprisingly flat thriller for Seattle Police Lt. Lou Boldt (The Pied Piper, 1998, etc.).
Delayed and threatened by a Pacific typhoon, the container ship Visage loses one of its containers overboard. When the Coast Guard picks it up, the officers on the scene – including Boldt, his Crimes Against Persons successor Sgt. John LaMoia, and INS agent Brian Coughlie – open it to find nine Chinese women sealed inside, together with the corpses of three others dead of hunger, thirst, and fever. While the Seattle cops and the INS gear up for another of Pearson’s trademark jurisdictional scuffles, Channel 4 news anchor Stevie McNeal is persuading her adoptive sister, freelance reporter Melissa Chow, to follow a slender lead to the location of the sweatshops and brothels that the illegals were bound for. But the trail Melissa follows turns unexpectedly hot, and she suddenly decides to go deep undercover, passing herself off as another enslaved immigrant in the sweatshop she’s found. As days pass without any word from Melissa, Boldt’s leads start to die: the captain of the Visage, a construction-gear manager who knew too much about the unloading of the ship, and finally the bent state employee whose suspicious spending patterns had given Stevie her first promise of a story. Meantime, Boldt, still chafing behind the desk he’s been promoted to, has nothing better to do than keep interviewing Mama Lu, doyenne of the Chinese business community, and get maddeningly Delphic responses. Pearson keeps spicing the pot with interspersed announcements (“Friday, August 28: 11 Days Missing”) and flashbacks to Stevie’s childhood with her Little Sister, but never makes Melissa, or the traffic in illegals, seem worth ruining your manicure.
Not even Pearson’s niftiest action sequences can make up for the ho-hum forensics, the colorless villain, and the absence of any real urgency in the rescue. The master of the big-league police thriller has struck out in his own park. ($250,000 ad/promo; author tour)Pub Date: July 7, 1999
ISBN: 0-7868-6440-0
Page Count: 416
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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