A thrilling depiction of the power of music.
Driven young people face off at a prestigious Japanese piano competition in this propulsive and poetic novel.
While moving smoothly among multiple points of view, Onda concentrates on four of the more unusual contestants. Aya Eiden, now 20, was an up-and-coming pianist when her mother died seven years earlier and hasn't played professionally since. Ambitious Japanese Peruvian Masaru Carlos Levi Anatole, a Juilliard student, knew Aya when they were both kids in Tokyo. Akashi Takashima, 28, is the oldest of the competitors and has been working in a music store, while precocious and startling 16-year-old Jin Kazama, the “Honeybee Prince,” has been traveling the world helping his beekeeper father and has never had a piano of his own, though he has been nurtured by recently deceased maestro Yuji Von Hoffmann since the age of 5. As the competition proceeds through four taut rounds, eliminating contestants liberally along the way, Onda places the reader not only in the position of those playing a particular piece, but often in the minds of several observers, each with their own take on the style and effect of the playing. She pays particular attention to how her four key players affect each other, both personally and musically, but also broadens out to include the perspectives of, among others, the stage manager, a couple of the judges, many of the other competitors, the florist with whom Jin stays while at the competition, the piano tuner, and the composer whose new work all the contestants are required to play. Setting the novel during the two weeks of the competition both gives the novel a solid structure and adds suspense, and the author's clear passion for and knowledge of the classical repertoire shine through. Even readers with no prior affection for the works played in the competition should be tantalized into taking a listen by Onda's descriptions of the music and its effects on listeners; one piece sounds like “a fluffy, plumped-up quilt, cushiony, as well as slightly damp” and another like a “thick, rough-hewn log. Unvarnished, unworked, the beauty of the grain visible.”
A thrilling depiction of the power of music.Pub Date: May 2, 2023
ISBN: 9781639364039
Page Count: 432
Publisher: Pegasus
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
