A thrilling depiction of the power of music.
Driven young people face off at a prestigious Japanese piano competition in this propulsive and poetic novel.
While moving smoothly among multiple points of view, Onda concentrates on four of the more unusual contestants. Aya Eiden, now 20, was an up-and-coming pianist when her mother died seven years earlier and hasn't played professionally since. Ambitious Japanese Peruvian Masaru Carlos Levi Anatole, a Juilliard student, knew Aya when they were both kids in Tokyo. Akashi Takashima, 28, is the oldest of the competitors and has been working in a music store, while precocious and startling 16-year-old Jin Kazama, the “Honeybee Prince,” has been traveling the world helping his beekeeper father and has never had a piano of his own, though he has been nurtured by recently deceased maestro Yuji Von Hoffmann since the age of 5. As the competition proceeds through four taut rounds, eliminating contestants liberally along the way, Onda places the reader not only in the position of those playing a particular piece, but often in the minds of several observers, each with their own take on the style and effect of the playing. She pays particular attention to how her four key players affect each other, both personally and musically, but also broadens out to include the perspectives of, among others, the stage manager, a couple of the judges, many of the other competitors, the florist with whom Jin stays while at the competition, the piano tuner, and the composer whose new work all the contestants are required to play. Setting the novel during the two weeks of the competition both gives the novel a solid structure and adds suspense, and the author's clear passion for and knowledge of the classical repertoire shine through. Even readers with no prior affection for the works played in the competition should be tantalized into taking a listen by Onda's descriptions of the music and its effects on listeners; one piece sounds like “a fluffy, plumped-up quilt, cushiony, as well as slightly damp” and another like a “thick, rough-hewn log. Unvarnished, unworked, the beauty of the grain visible.”
A thrilling depiction of the power of music.Pub Date: May 2, 2023
ISBN: 9781639364039
Page Count: 432
Publisher: Pegasus
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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