A thrilling depiction of the power of music.
Driven young people face off at a prestigious Japanese piano competition in this propulsive and poetic novel.
While moving smoothly among multiple points of view, Onda concentrates on four of the more unusual contestants. Aya Eiden, now 20, was an up-and-coming pianist when her mother died seven years earlier and hasn't played professionally since. Ambitious Japanese Peruvian Masaru Carlos Levi Anatole, a Juilliard student, knew Aya when they were both kids in Tokyo. Akashi Takashima, 28, is the oldest of the competitors and has been working in a music store, while precocious and startling 16-year-old Jin Kazama, the “Honeybee Prince,” has been traveling the world helping his beekeeper father and has never had a piano of his own, though he has been nurtured by recently deceased maestro Yuji Von Hoffmann since the age of 5. As the competition proceeds through four taut rounds, eliminating contestants liberally along the way, Onda places the reader not only in the position of those playing a particular piece, but often in the minds of several observers, each with their own take on the style and effect of the playing. She pays particular attention to how her four key players affect each other, both personally and musically, but also broadens out to include the perspectives of, among others, the stage manager, a couple of the judges, many of the other competitors, the florist with whom Jin stays while at the competition, the piano tuner, and the composer whose new work all the contestants are required to play. Setting the novel during the two weeks of the competition both gives the novel a solid structure and adds suspense, and the author's clear passion for and knowledge of the classical repertoire shine through. Even readers with no prior affection for the works played in the competition should be tantalized into taking a listen by Onda's descriptions of the music and its effects on listeners; one piece sounds like “a fluffy, plumped-up quilt, cushiony, as well as slightly damp” and another like a “thick, rough-hewn log. Unvarnished, unworked, the beauty of the grain visible.”
A thrilling depiction of the power of music.Pub Date: May 2, 2023
ISBN: 9781639364039
Page Count: 432
Publisher: Pegasus
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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