by Riley Sager ‧ RELEASE DATE: June 30, 2020
A return to form for this popular author.
Spectral danger and human evil stalk Sager’s latest stalwart heroine.
When Maggie Holt’s father, Ewan, dies, she’s shocked to discover that she has inherited Baneberry Hall. Ewan made his name as a writer—and ruined her life—by writing a supposedly nonfiction account of the terrors their family endured while living in this grand Victorian mansion with a dark history. Determined to find out the truth behind her father’s sensational bestseller, Maggie returns to Baneberry Hall. Horror aficionados will feel quite cozy as they settle into this narrative, and Sager’s fans will recognize a familiar formula. As he has in his previous three novels, the author makes contemporary fiction out of time-honored tropes. Final Girls (2017) remains his most fresh and inventive novel, but his latest is significantly more satisfying than the two novels that followed. Interspersing Maggie’s story with chapters from her father’s book, Sager delivers something like a cross between The Haunting of Hill House and The Amityville Horror with a tough female protagonist. Ewan and Maggie both behave with the dogged idiocy common among people who buy haunted houses, but doubt about the veracity of Ewan’s book and Maggie’s desperate need to understand her own past make them both compelling characters. The ghosts and poltergeist activity Sager conjures are truly chilling, and he does a masterful job of keeping readers guessing until the very end. As was the case with past novels, though—especially The Last Time I Lied (2018)—Sager sets his story in the present while he seems to be writing about the past. For example, when the Holt family moved into Baneberry Hall in 1995 or thereabouts, Ewan—a professional journalist—worked on a typewriter. When Maggie wants to learn more about the history of Baneberry Hall, she drives to the town library instead of going online. Sager is already asking readers to suspend disbelief, and he makes that more difficult because it’s such a jolt when a character pulls out an iPhone or mentions eBay. This is, however, a minor complaint about what is a generally entertaining work of psychological suspense.
A return to form for this popular author.Pub Date: June 30, 2020
ISBN: 978-1-5247-4517-2
Page Count: 384
Publisher: Dutton
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
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by Riley Sager
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by Riley Sager
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by Riley Sager
by Freida McFadden ‧ RELEASE DATE: Oct. 7, 2025
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Dan Brown ‧ RELEASE DATE: Sept. 9, 2025
A standout in the series.
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New York Times Bestseller
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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