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MIDDLE OF THE NIGHT

Another disappointment from this bestselling author.

What happened to Billy Barringer?

Thirty years after the disappearance of his best friend, Ethan Marsh is back in his childhood home on Hemlock Circle. His mom and dad have just moved to Florida, and they asked Ethan to look after the place until they can sell it, but all three of them know that he needs a place to stay while he tries to get his life back on track. Given that the trauma associated with Billy’s vanishing has turned into a lasting obsession for Ethan—one that disrupts his sleep and casts a pall on his marriage—it seems unlikely that the community he went to boarding school to escape will be much of a refuge, but…sure? As it happens, the babysitter he crushed on as a kid has also come home to take care of her father. Another childhood friend is raising his own family in the house where he grew up. And a one-time bully is now a detective. All of these people were involved in the events leading up to Billy’s disappearance, and they’re all together again when new information about the case surfaces. Sager is a gimmicky author; this isn’t a slam. Horror is a gimmicky genre and, although Sager doesn’t write horror, exactly, his use of horror tropes is a distinctive element of his novels. And fans may well be ready to accept this band of sleuths or ghost hunters or potential suspects working together to solve a 30-year-old mystery. They may, however, be less forgiving of the red herrings and a complicated resolution that raises more questions than it answers. The real sin here, though, is that this book is intensely boring. Ethan Marsh might be a sympathetic character, but he’s not an interesting character, and the narrative pace is punishingly slow.

Another disappointment from this bestselling author.

Pub Date: June 18, 2024

ISBN: 9780593472378

Page Count: 384

Publisher: Dutton

Review Posted Online: Nov. 9, 2024

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WE ARE ALL GUILTY HERE

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

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More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.

In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

Pub Date: Aug. 12, 2025

ISBN: 9780063336773

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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