by Rio Cortez ; illustrated by Ashleigh Corrin ‧ RELEASE DATE: Aug. 27, 2024
A heartfelt narrative steeped in love and tradition.
Connections to ancestors and cultural identity flow when a young Afro-Latine New Yorker bonds with her grandma.
The narrator, who’s brown-skinned with black hair braided in cornrows, loves spending time with brown-skinned Abuela, who used to live by the sea and misses it dearly. On Saturdays they walk down from Harlem toward Twelfth Avenue to the Hudson River. While the girl has never lived by the sea, she experiences a range of strong emotions when she’s near the river: quiet, curious, happy, and, sometimes, a mix of feelings. Abuela explains that they visit the Hudson to express gratitude to Yemaya, a Yoruba goddess of motherhood and the sea. Imagining Yemaya as a brown-skinned mermaid with a blue tail, the child thanks the river. As Abuela and the child walk home, the love between them, and their affection for the river, is palpable. An author’s note adds more information about Yemaya, who became associated with the ocean following the Middle Passage, and reminisces about her own Puerto Rican grandmother. Sweet, simple prose brimming with emotion celebrates cultural heritage and the connection between generations, while vivid, childlike illustrations capture the warmth of family moments. Both text and art home in on details of the bustling city, from the piragua cart the child passes to the honking of cars; it’s a potent reminder that young urbanites can forge bonds with nature, too.
A heartfelt narrative steeped in love and tradition. (Picture book. 4-8)Pub Date: Aug. 27, 2024
ISBN: 9781665912570
Page Count: 32
Publisher: Denene Millner Books/Simon & Schuster
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Rio Cortez ; illustrated by Lauren Semmer
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Suzanne Lang ; illustrated by Max Lang ‧ RELEASE DATE: May 15, 2018
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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by Suzanne Lang ; illustrated by Max Lang
BOOK REVIEW
by Suzanne Lang ; illustrated by Max Lang
BOOK REVIEW
by Suzanne Lang ; illustrated by Max Lang
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