by Rivka Galchen ‧ RELEASE DATE: May 17, 2016
A talented writer delivers a miscellany about her maternal transformation.
An engaging mind offers reflections on being a mother, being a writer, and having a baby.
It would be tempting to term this slim volume “singular,” but Galchen herself (American Innovations, 2014, etc.) provides the inspirational template when she discusses The Pillow Book, written in Japan more than 1,000 years ago. That book “is difficult to characterize. It’s not a novel and not a diary and not poems and not advice, but it has qualities of each, and would have been understood at the time as a kind of miscellany, a familiar form.” Now a decidedly less familiar form, this work presents dozens of sections, some a sentence or two, none longer than a few pages, which encapsulate her experiences as her daughter matures from a newborn baby into a more mobile toddler. Or, in the author’s words, “when she began to locomote, she ceased being a puma and became a chicken.” She has almost invariably been referred to in the preceding pages as the puma, without sentiment but with a range and depth of feeling that has obviously transformed the author. None of this is offered as instructional about mothers and babies in general but about this particular baby and her effect on this particular mother—who had never intended to write this book. “I didn’t want to write about the puma,” admits Galchen. “I wanted to write about other things. Mostly because I had never been interested in babies, or in mothers….I almost hated the ‘topics.’ ” Many of these reflections concern the baby in art and literature and how having a baby affects the output of a writer. The author also traces the development of a feminist consciousness, as she describes herself as someone who mainly read books by men and had friends who were men, but finds that the years and personal circumstances have shifted her perspective.
A talented writer delivers a miscellany about her maternal transformation.Pub Date: May 17, 2016
ISBN: 978-0-8112-2558-8
Page Count: 96
Publisher: New Directions
Review Posted Online: March 7, 2016
Kirkus Reviews Issue: April 1, 2016
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by Rivka Galchen ; illustrated by Elena Megalos
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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