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PARTY GAMES

From the Fear Street series

More of the same—yet here, that isn’t necessarily a bad thing. (Horror. 12-16)

The teens of Shadyside are in for more scares now that Stine has returned to his beloved franchise.

Rachel Martin’s got a big-time crush on Brendan Fear. She’s incredibly excited to be invited along with the cool kids to Brendan’s birthday party on Fear Island, so much so that she’s willing to ignore an ominous dead animal in her bed and the warnings of her best friend. Of course, once the party starts and the guests start to drop like flies in gruesome ways, Rachel’s only concern is getting off the island in one piece. The author’s instinct for creative kills remains strong despite a 15-plus-year absence from the series. There isn’t a lot to chew on when it comes to character or theme, although it’s hard to imagine anyone looking for such a thing in a Fear Street novel. These books are designed to be a pleasant diversion as well as fodder for nightmares, and in that aspect, the author doesn’t disappoint. The only frustration is the lack of a supernatural element to the string of murders. Ghosts and zombies are the author’s strength, not masked killers and kidnappers. The frights make up for this misstep but only by a little.

More of the same—yet here, that isn’t necessarily a bad thing. (Horror. 12-16)

Pub Date: Sept. 30, 2014

ISBN: 978-1-250-05161-5

Page Count: 288

Publisher: St. Martin's Griffin

Review Posted Online: July 14, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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PHANTOM HEART

The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.

Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.

After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.

The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)

Pub Date: Aug. 17, 2021

ISBN: 978-0-593-11604-3

Page Count: 528

Publisher: Viking

Review Posted Online: May 26, 2021

Kirkus Reviews Issue: June 15, 2021

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