First adult novel by a children's author who already sells better than Stephen King, with 45 million copies in print of his 56 titles: a serial-killer suspense story that turns into romantic horror. Stine's tale opens with a strong shock as a young woman has her scalp ripped off, spine cracked, eyes thumbed out, and insides removed; then it lapses into a kind of depthless, mirror-smooth chitchat somewhere between YA and adult levels made up before your very eyes and not bearing a second thought. Sara Morgan, 24, has lost her Manhattan job at Concord Publishing, split from her psychotic boyfriend Chip, and returned to Moore State College to earn a grad degree in psychology. At a seafood restaurant with her close friend Mary Beth Logan, she meets handsome, charming, superstition-ridden Liam O'Connor, visiting professor of folklore. He's a Daniel Day-Lewis look-alike who lives with his sister Margaret and definitely is flirting with Sara. Then Milton Cohn, dean of students, a self-amused body-builder and knife collector who's always cutting his hands, offers Sara a part-time job largely because of her big breasts (such are the book's plot ploys). Soon more bodies drop and insides spill, including those of Liam's old girlfriend from Chicago as well as Chip's from Manhattan. The irresistible Liam comes onto Sara like Maxim de Winter roping in the second Mrs. de Winter, insistently charming and marrying her. On his bad tongue days, a huge purple three-foot tongue with a mind of its own slithers out of him. But who sends Sara four bloody rabbit's feet warning her about Liam? And Margaret and Milton, well, very special things happen to them. A face-off with Liam's demons of superstition is as foreseeable as steam on a rainy window. With zillions of aging young readers awaiting his newest work, Stine's may be just the fresh-flowing jolt of harmless horror pap to turn cash registers rhapsodic. (Film rights to Miramax; author tour)
Pub Date: Sept. 14, 1995
ISBN: 0-446-51953-7
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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