by RM Johnson ‧ RELEASE DATE: April 1, 1999
An effortful first novel that features an African-American father seeking reconciliation with the sons he abandoned 20 years earlier. Julius Harris, diagnosed with terminal cancer as the story opens, begins a campaign to make peace with his three sons, now grown men in their 30s. In Chicago, the three have managed in one way or another to stay together in spite of serious problems: the oldest, Austin, a successful lawyer whose growing responsibilities as father and husband have become a burden to him, separates from his wife and children; Caleb, an ex-con with a girlfriend and young son, can—t seem to hold down a job, which jeopardizes his family—despite the efforts of beneficent African-American business owner Joseph Benning, who tries to give him a chance; and Marcus, the middle son, a graphic artist whose main role is to prevent Austin and Caleb from losing sight of each other, is motivated in the effort by his own fear of loss and abandonment by those he loves. From his home in California, father Julius—never as deeply portrayed as his sons—hears no response to his inquires about his offspring and arrives in Chicago just as Caleb is arrested and jailed for abetting in a bloody robbery. The final reconciliation is compassionately and believably described, with each man’s guilt, resentment, and ego placed in clashing juxtaposition to that of the others. The depiction of the wives and girlfriends, even so, could use improvement: generally one-dimensional, the women are uniformly supportive, wise, and intuitively right about family matters. While the separate identities of the sons are firmly established, too many words and pages are devoted to their thoughts on topical or peripheral subjects, doing little service to the novel’s native identity or dramatic movement; and yet even with its flaws, this unevenly talented debut introduces an intriguing writer.
Pub Date: April 1, 1999
ISBN: 0-684-84470-2
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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