In a perfectly silly and pointlessly tastless sequel to Charlie and the Chocolate Factory, Mr. Willie Wonka's glass elevator goes into orbit carrying Charlie, his parents, his grandparents, and the bed that three of the grandparents haven't left for 20 years. They stop at a new U.S. Space Hotel causing panic back at the White House, where an illiterate President who tells knock-knock jokes thinks they are Martians and a broad-typed Chief of the Army wants to blow them up "crash bang wallop bang-bang-bang-bang-bang." But when a horde of greenish, shapeless creatures called "vermicious knids" starts emerging from the space hotel's elevators, the humans hop back to earth in their knid-proof glass one, towing a crew of terrified astronauts along. In the reaches of space fiction where anything goes, Mr. Dahl's inventions are old hat, and about all that ensues back at the factory is the grandparents' excessive rejuvenation (one of them is even "minused"), overcompensating aging, and Ultimate return to the status quo ante by swallowing alternate doses of Vita-Wonk and Wonka-Vite. They are finally lured from their beds by an invitation from the White House (a reward for rescuing the astronauts) and even Charlie himself exits dancing with glee, never questioning the privilege involved in visiting those previously caricatured idiots. With humor that depends on gratuitous references to the President's pottie or the results of a very strong laxative, with the Oompa-Loompas still fetching and carrying, this has all the faults that disturbed grown-ups and none of the inspired outrageousness that attracted children to its predecessor.
Pub Date: Sept. 1, 1972
ISBN: 0375815252
Page Count: 176
Publisher: Knopf
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 1, 1972
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
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